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(Though, okay, Grace finding a box in the Oval Office with nothing but a “Russian-English dictionary and a fidget spinner” in it got a laugh out of me.) The 2017 edition of Will & Grace is at its best when it acknowledges that time just might have passed its characters by Will & Grace & codependence.
On the other, I don’t know that the show gains much from “Make America Gay Again” winks besides an instinctive “Woo!” from the studio audience. On the one hand, it’s something of a relief that Will & Grace isn’t pretending it’s actually stuck in 2006. It’s this setup that allows Will’s flirtation with a conservative lawmaker and Karen tempting Grace with the opportunity to redesign the Oval Office to bring everyone to the White House for some convoluted brushes with the new order. Also, the premiere episode centers on Will and Grace’s respective struggles to reconcile their disgust toward America’s new president - though no one ever mentions Donald Trump by name - with their intrinsically selfish motivations. Some of these “We’re in 2017 now!” jokes feel shoehorned in I could’ve easily done without Jack grimacing that he might get “finger herpes” from Grindr.
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And while there are few actors on TV today who can match Hayes’s physical comedy skills, Mullally comes close, throwing back her head in wicked glee as an increasingly smug Karen gloats about her friend Melania marrying her way into the White House. Messing and McCormack easily pick up their rapid-fire back-and-forth rhythm as if they’re slipping into a comfortable, broken-in pair of shoes.
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The revival is much better off without it - and free to return to its previously established dynamic.
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I could be annoyed by this, but the truth is that Will & Grace’s 2006 series finale was terrible. Jack and Karen are as Jack and Karen as ever. “That never happened,” Will scoffs - and just like that, the onetime series finale becomes hypothetical dust. Jack, bored with their shenanigans and craving instant gratification, idly browses Grindr and brainstorms a new profile pic.Īnd when Karen, who’s briefly catatonic from her usual martini-and-pill daze, comes to long enough to get her bearings, she describes the weird dream she had where Will and Grace drifted apart for 20 years and only came back together once their kids got engaged. Will and Grace have the same freaky mind-meld powers they always did (when Will sighs, “We want to love her, but she makes it impossible,” it only takes Grace about 0.3 seconds to correctly guess, “Caitlyn Jenner!”). All of them are recognizably the characters we came to know more than a decade ago, with a bit of a 2017 twist. The first episode of the revived Will & Grace opens with the central foursome of Will (McCormack), Grace (Messing), Jack (Hayes), and Karen (Mullally) playing Celebrity in Will’s Upper West Side living room. Will & Grace is back, and so is the debate over its place in LGBTQ history Will & Grace opens by simultaneously erasing its past and embracing it So I wouldn’t go so far as to say that “nothing has changed” - and nor should NBC.
However, as far as its actual content goes, some of the best moments are the ones that couldn’t have happened more than a decade ago. Having seen the first three episodes, I can confirm that the so-called “new but not really” Will & Grace maintains the same cadence as the show’s original iteration.
(In the 2017 version of the show, Will and Grace are both divorced and living together once again, with no kids in sight.) The show’s rhythm feels the same as ever, with legendary TV director James Burrows ( Friends, Cheers) back on board, and the core cast of Debra Messing, Eric McCormack, Sean Hayes, and Megan Mullally will quickly remind you of why they were always Will & Grace’s biggest draw. The premise of Will & Grace hasn’t changed much at all, especially since the revival completely erases the events of the show’s initial series finale, in which Will and Grace stopped speaking for 20 years as they each raised children. This is somewhat true - but thankfully, only to an extent. Vox-mark vox-mark vox-mark vox-mark vox-mark
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